Musings of an aging fan

Do you remember my posting this story by Saki?
http://wellinghall.livejournal.com/723719.html

Well, it is time to come clean; it was actually written by colinbj

Characters -
Major Richard Dumbarton
Mrs Carewe
Mrs Paly-Paget

Scene - Deck of eastward-bound steamer. Major Dumbarton seated on deck-chair, another chair by his side, with the name "Mrs. Carewe" painted on it, a third near by.

(Enter R. Mrs Carewe, seats herself leisurely in her deck-chair, the Major affecting to ignore her presence.)

Major (turning suddenly): Emily! After all these years! This is fate!

Em: Fate! Nothing of the sort; it's only me. You men are always such fatalists. I deferred my departure three whole weeks, in order to come out in the same boat that I saw you were travelling by. I bribed the steward to put out chairs side by side in an unfrequented corner, and I took enormous pains to be looking particularly attractive this morning, and then you say "This is fate." I am looking particularly attractive, am I not?
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The enemy had declared "no trumps." Rupert played out his ace and king of clubs and cleared the adversary of that suit; then the Sheep, whom the Fates had inflicted on him for a partner, took the third round with the queen of clubs, and, having no other club to lead back, opened another suit. The enemy won the remainder of the tricks--and the rubber.

"I had four more clubs to play; we only wanted the odd trick to win the rubber," said Rupert.

"But I hadn't another club to lead you," exclaimed the Sheep, with his ready, defensive smile.

"It didn't occur to you to throw your queen away on my king and leave me with the command of the suit," said Rupert, with polite bitterness.

"I suppose I ought to have--I wasn't certain what to do. I'm awfully sorry," said the Sheep.

Being awfully and uselessly sorry formed a large part of his occupation in life. If a similar situation had arisen in a subsequent hand he would have blundered just as certainly, and he would have been just as irritatingly apologetic.

Rupert stared gloomily across at him as he sat smiling and fumbling with his cards. Many men who have good brains for business do not possess the rudiments of a card-brain, and Rupert would not have judged and condemned his prospective brother-in-law on the evidence of his bridge play alone. The tragic part of it was that he smiled and fumbled through life just as fatuously and apologetically as he did at the card-table. And behind the defensive smile and the well-worn expressions of regret there shone a scarcely believable but quite obvious self-satisfaction. Every sheep of the pasture probably imagines that in an emergency it could become terrible as an army with banners--one has only to watch how they stamp their feet and stiffen their necks when a minor object of suspicion comes into view and behaves meekly. And probably the majority of human sheep see themselves in imagination taking great parts in the world's more impressive dramas, forming swift, unerring decisions in moments of crisis, cowing mutinies, allaying panics, brave, strong, simple, but, in spite of their natural modesty, always slightly spectacular.

"Why in the name of all that is unnecessary and perverse should Kathleen choose this man for her future husband?" was the question that Rupert asked himself ruefully. There was young Malcolm Athling, as nice-looking, decent, level-headed a fellow as any one could wish to meet, obviously her very devoted admirer, and yet she must throw herself away on this pale-eyed, weak-mouthed embodiment of self-approving ineptitude. If it had been merely Kathleen's own affair Rupert would have shrugged his shoulders and philosophically hoped that she might make the best of an undeniably bad bargain. But Rupert had no heir; his own boy lay underground somewhere on the Indian frontier, in goodly company. And the property would pass in due curse to Kathleen and Kathleen's husband. The Sheep would live there in the beloved old home, rearing up other little Sheep, fatuous and rabbit-faced and self-satisfied like himself, to dwell in the land and possess it. It was not a soothing prospect.

Towards dusk on the afternoon following the bridge experience Rupert and the Sheep made their way homeward after a day's mixed shooting. The Sheep's cartridge bag was nearly empty, but his game bag showed no signs of over-crowding. The birds he had shot at had seemed for the most part as impervious to death or damage as the hero of a melodrama. And for each failure to drop his bird he had some explanation or apology ready on his lips. Now he was striding along in front of his host, chattering happily over his shoulder, but obviously on the look-out for some belated rabbit or woodpigeon that might haply be secured as an eleventh-hour addition to his bag. As they passed the edge of a small copse a large bird rose from the ground and flew slowly towards the trees, offering an easy shot to the oncoming sportsmen. The Sheep banged forth with both barrels, and gave an exultant cry.

"Horray! I've shot a thundering big hawk!"

"To be exact, you've shot a honey-buzzard. That is the hen bird of one of the few pairs of honey-buzzards breeding in the United Kingdom. We've kept them under the strictest preservation for the last four years; every game-keeper and village gun loafer for twenty miles round has been warned and bribed and threatened to respect their sanctity, and egg-snatching agents have been carefully guarded against during the breeding season. Hundreds of lovers of rare birds have delighted in seeing their snap-shotted portraits in _Country Life_, and now you've reduced the hen bird to a lump of broken feathers."

Rupert spoke quietly and evenly, but for a moment or two a gleam of positive hatred shone in his eyes.

"I say, I'm so sorry," said the Sheep, with his apologetic smile. "Of course I remember hearing about the buzzards, but somehow I didn't connect this bird with them. And it was such an east shot--"

"Yes," said Rupert; "that was the trouble."

Kathleen found him in the gun-room smoothing out the feathers of the dead bird. She had already been told of the catastrophe.

"What a horrid misfortune," she said sympathetically.

"It was my dear Robbie who first discovered them, the last time he was home on leave. Don't you remember how excited he was about them? Let's go and have some tea."

Both bridge and shooting were given a rest for the next two or three weeks. Death, who enters into no compacts with party whips, had forced a Parliamentary vacancy on the neighbourhood at the least convenient season, and the local partisans on either side found themselves immersed in the discomforts of a mid-winter election. Rupert took his politics seriously and keenly. He belonged to that type of strangely but rather happily constituted individuals which these islands seem to produce in a fair plenty; men and women who for no personal profit or gain go forth from their comfortable firesides or club card-rooms to hunt to and fro in the mud and rain and wind for the capture or tracking of a stray vote here and there on their party's behalf--not because they think they ought to, but because they want to. And his energies were welcome enough on this occasion, for the seat was a closely disputed possession, and its loss or retention would count for much in the present position of the Parliamentary game. With Kathleen to help him, he had worked his corner of the constituency with tireless, well-directed zeal, taking his share of the dull routine work as well as of the livelier episodes. The talking part of the campaign wound up on the eve of the poll with a meeting in a centre where more undecided votes were supposed to be concentrated than anywhere else in the division. A good final meeting here would mean everything. And the speakers, local and imported, left nothing undone to improve the occasion. Rupert was down for the unimportant task of moving the complimentary vote to the chairman which should close the proceedings.

"I'm so hoarse," he protested, when the moment arrived; "I don't believe I can make my voice heard beyond the platform."

"Let me do it," said the Sheep; "I'm rather good at that sort of thing."

The chairman was popular with all parties, and the Sheep's opening words of complimentary recognition received a round of applause. The orator smiled expansively on his listeners and seized the opportunity to add a few words of political wisdom on his own account. People looked at the clock or began to grope for umbrellas and discarded neckwraps. Then, in the midst of a string of meaningless platitudes, the Sheep delivered himself of one of those blundering remarks which travel from one end of a constituency to the other in half an hour, and are seized on by the other side as being more potent on their behalf than a ton of election literature. There was a general shuffling and muttering across the length and breadth of the hall, and a few hisses made themselves heard. The Sheep tried to whittle down his remark, and the chairman unhesitatingly threw him over in his speech of thanks, but the damage was done.

"I'm afraid I lost touch with the audience rather over that remark," said the Sheep afterwards, with his apologetic smile abnormally developed.

"You lost us the election," said the chairman, and he proved a true prophet.

A month or so of winter sport seemed a desirable pick-me-up after the strenuous work and crowning discomfiture of the election. Rupert and Kathleen hied them away to a small Alpine resort that was just coming into prominence, and thither the Sheep followed them in due course, in his role of husband-elect. The wedding had been fixed for the end of March.

It was a winter of early and unseasonable thaws, and the far end of the local lake, at a spot where swift currents flowed into it, was decorated with notices, written in three languages, warning skaters not to venture over certain unsafe patches. The folly of approaching too near these danger spots seemed to have a natural fascination for the Sheep.

"I don't see what possible danger there can be," he protested, with his inevitable smile, when Rupert beckoned him away from the proscribed area; "the milk that I put out on my window-sill last night was frozen an inch deep."

"It hadn't got a strong current flowing through it," said Rupert; "in any case, there is not much sense in hovering round a doubtful piece of ice when there are acres of good ice to skate over. The secretary of the icecommittee has warned you once already."

A few minutes later Rupert heard a loud squeal of fear, and saw a dark spot blotting the smoothness of the lake's frozen surface. The Sheep was struggling helplessly in an ice-hole of his own making. Rupert gave one loud curse, and then dashed full tilt for the shore; outside a low stable building on the lake's edge he remembered having seen a ladder. If he could slide it across the ice-hole before the Sheep went under the rescue would be comparatively simple work. Other skaters were dashing up from a distance, and, with the ladder's help, they could get him out of his death-trap without having to trust themselves on the margin of rotten ice. Rupert sprang on to the surface of lumpy, frozen snow, and staggered to where the ladder lay. He had already lifted it when the rattle of a chain and a furious outburst of growls burst on his hearing, and he was dashed to the ground by a mass of white and tawny fur. A sturdy young yard-dog, frantic with the pleasure of performing his first piece of actice guardian service, was ramping and snarling over him, rendering the task of regaining his feet or securing the ladder a matter of considerable difficulty. When he had at last succeeded in both efforts he was just by a hair's-breadth too late to be of any use. The Sheep had definitely disappeared under the ice-rift.

Kathleen Athling and her husband stay the greater part of the year with Rupert, and a small Robbie stands in some danger of being idolised by a devoted uncle. But for twelve months of the year Rupert's most inseparable and valued companion is a sturdy tawny and white yard-dog.

"Have you written to thank the Froplinsons for what they sent us?" asked Egbert.

"No," said Janetta, with a note of tired defiance in her voice; "I've written eleven letters to-day expressing surprise and gratitude for sundry unmerited gifts, but I haven't written to the Froplinsons."
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Theophil Eshley was an artist by profession, a cattle painter by force of environment. It is not to be supposed that he lived on a ranche or a dairy farm, in an atmosphere pervaded with horn and hoof, milking-stool, and branding-iron. His home was in a park-like, villa-dotted district that only just escaped the reproach of being suburban. On one side of his garden there abutted small, picturesque meadow, in which an enterprising neighbour pastured some small picturesque cows of the Channel Island persuasion. At noonday in summertime the cows stood knee-deep in tall meadow-grass under the shade of a group of walnut trees, with the sunlight falling in dappled patches on their mouse-sleek coats. Eshley had conceived and executed a dainty picture of two reposeful milch-cows in a setting of walnut tree and meadow-grass and filtered sunbeam, and the Royal Academy had duly exposed the same on the walls of its Summer Exhibition. The Royal Academy encourages orderly, methodical habits in its children. Eshley had painted a successful and acceptable picture of cattle drowsing picturesquely under walnut trees, and as he had begun, so, of necessity, he went on. His "Noontide Peace," a study of two dun cows under a walnut tree, was followed by "A Mid-day Sanctuary," a study of a walnut tree, with two dun cows under it. In due succession there came "Where the Gad-Flies Cease from Troubling," "The Haven of the Herd," and "A-dream in Dairyland," studies of walnut trees and dun cows. His two attempts to break away from his own tradition were signal failures: "Turtle Doves alarmed by Sparrow-hawk" and "Wolves on the Roman Campagna" came back to his studio in the guise of abominable heresies, and Eshley climbed back into grace and the public gaze with "A Shaded Nook where Drowsy Milkers Dream."

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"There is a wild beast in your woods," said the artist Cunningham, as he was being driven to the station. It was the only remark he had made during the drive, but as Van Cheele had talked incessantly his companion's silence had not been noticeable.

"A stray fox or two and some resident weasels. Nothing more formidable," said Van Cheele. The artist said nothing.

"What did you mean about a wild beast?" said Van Cheele later, when they were on the platform.

"Nothing. My imagination. Here is the train," said Cunningham.
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